🔎 artist:"Unknown Japanese" | Mia

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figure with six heads, arms, and legs astride crouched bull on wood base; metal bands around wrists, some biceps, and most ankles; halo with flames attached at back; two hands of two arms together in praying position, other arms bent and flare outwards. Upper left arm holds long staff, lower one holds implement with "curly q"-shaped end. Upper right arm holds a trident. Lower right arm fingersshaped like it was holding something in hand. Three bottom heads have crystal inlay eyes. Three smaller heads on top considerably smaller. — Daiitoku Myōō, the Wisdom King of Awe-Inspiring Power, second half 13th century
Unknown Japanese

G220

small standing highly stylized figure with very large coffee bean-type eyes; PR lower arm missing; openings at top of head and at bottom; upturned pig-like nostrils; textured body covered with scrolling designs; looping scrolls around stomach/navel and between breasts; small, widely spaced breasts with pronounced nipples; repeating incised zigzags with textured areas on back of head/hair; dark/black patina — Figurine of a Female, 1000-800 BCE
Unknown Japanese

G205

Naraen Kongo, standing figure with arms down, mouth closed. Made of Hinoki wood in yosegi technique of multiple block construction with traces of gesso and polychrome. — Vajra Warrior (one of a pair), mid 14th century
Unknown Japanese

G205

unsigned — Taima Mandala, early 14th century
Unknown Japanese

G333

Portrait Sculpture of Priest Gyōki, Unknown Japanese — Portrait Sculpture of Priest Gyōki, early 17th century
Unknown Japanese

G220

handled tray with short sides; light grey glaze with blue, green and gold leaves, vines and gourds; cutout gourd shapes — Tobacco tray, 18th century
Unknown Japanese

G225

round bronze disk mounted to wood; raised figure seated on lotus at center, with PR hand resting in lap, and PL hand at heart clutching delicate metal flowers; elaborate golden filigree behind figure; tall urns with delicate wire and bounded metal lotus leaves on either side of figure; thin metal "awning" above figure with lotus detail and hanging charms; lion head with claws on either side of top; border with round studs — Kakebotoke, 14th century
Unknown Japanese

G220

black and gold helmet in the form of a dragonfly, with its tail extending upward; two large gold eyes; two removable dull gold pairs of wings; thick braided purple silk cord tie at neck — Helmet in dragonfly shape, 17th century
Unknown Japanese

G219

octagonal stepped base with lotus flower at top of base; clear glass globe at top with three vertical metal "flames" around it; glass globe filled with multicolored pebbles — Buddhist Reliquary in the Shape of a Wish-Granting Jewel, 16th-17th century
Unknown Japanese

G220

short, round bottle with narrow neck; beige glaze with paulownia leaves and blossoms in black and blue — Sake bottle with paulownia, 17th century
Unknown Japanese

G221

one of four: dish with high walls and deep scalloped cutouts on each edge, creating dramatic, irregular square shape; textured, beige over glaze against dark brown underglaze; beige over glaze on bottom lightly brushed around bowl; subtle blue vine accents on underside at cutouts — Set of food dishes (mukōzuke), early 18th century
Unknown Japanese

G225

one of four: dish with high walls and deep scalloped cutouts on each edge, creating dramatic, irregular square shape; textured, beige over glaze against dark brown underglaze; beige over glaze on bottom lightly brushed around bowl; subtle blue vine accents on underside at cutouts — Set of food dishes (mukōzuke), early 18th century
Unknown Japanese

G225

one of four: dish with high walls and deep scalloped cutouts on each edge, creating dramatic, irregular square shape; textured, beige over glaze against dark brown underglaze; beige over glaze on bottom lightly brushed around bowl; subtle blue vine accents on underside at cutouts — Set of food dishes (mukōzuke), early 18th century
Unknown Japanese

G225

unsigned; musicians and actors on stage at L with audience outdoors, looking on and talking to one another; fence and banners erected behind audience; building at R with men standing and talking behind walls, and others outside sitting and chatting — Okuni Kabuki, first quarter 17th century
Unknown Japanese

Not on View

picnic set with four stacking bowls decorated with bands of flowers and foliage from each of the four seasons; sake flask created from bamboo, with bamboo leaf motif and crested flying birds; sides of caddy are decorated with wisteria; lid for stacking bowls features phoenix with chrysanthemum design; silver handle — Picnic set with plants from the four seasons, 18th century
Unknown Japanese

Not on View

seated Buddha; PL hand in lap with open palm, index and thumb loosely touching; PR hand up, with index finger and thumb touching; two-tiered knobby hair, long earlobes; traces of red pigment on robes; seated on wide, stylized lotus on round base — Amida, the Buddha of Infinite Light, early 12th century
Unknown Japanese

G220

standing wooden figure with shallowly carved draping robes with small tie at waist; peaceful expression on face; long earlobes and squared hat; figure is missing entire PR arm; PL arm is missing below the elbow, but it is apparent arm is bent forward at elbow — Bonten, the Creator, late 10th century
Unknown Japanese

G220

female figure seated with arms clasped toward chest; wearing court dress, with long, pleated hair; small crown on head; mounted to wooden screen on back — Shinto Goddess, 12th-13th century
Unknown Japanese

G220

seated male figure holding a court noble's scepter, with face and hairstyle of a Bosatsu; mounted to plaque on back; legs folded in lotus position — Shinto God, 12th-13th century
Unknown Japanese

G220

dark gray pitcher with bulb-like body, short neck, and dramatically flared mouth; mouth flare is actually wider than body; hole in side of body; rounded bottom — Jar with flared mouth, 5th century
Unknown Japanese

G205

jar with three incised lines around widest part; high neck, slightly flaring mouth with incised lines around outside; remnants of tan ash glaze — Jar, 3rd-7th century
Unknown Japanese

G205

unsigned; left of a pair of six-panel folding screens; many scenes against gold leaf background; edge of building on left panel with snow; building at top across panels three to six the many seated figures wearing black with a few wearing red and blue; procession in LR of panels five and six with figures in black carrying covered dias and pulling two green carriages behind — Autumn and Winter [left of the pair Scenes from the Tale of Genji in the Four Seasons], mid 17th century
Unknown Japanese

Not on View

flat bottom; bulbous, slightly flattened bottom section; vertical wide neck with ribs; pair of irregular blocky handles; thick inverted mouth ring; entire piece intentionally asymmetrical/misshapen/slightly collapsed, with broken incised wavy line on bottom section and inherent cracking; green, light brown and tan glaze; brown lacquer cover with faceted top knob — "Burst bag" Freshwater Jar, late 16th - early 17th century
Unknown Japanese

G224

white gourd-shaped flask with grapevine design painted in underglaze iron oxide — Gourd-shaped flask with grapevines, early 17th century
Unknown Japanese

G221

bowl with rounded square shape with rounded corners; three small square feet; blue-grey with white slip design of twining flowers; arc-shaped trellis (?) at one side; lines and scrolls around border; deep swirl at bottom center — Plate with grapevines, trellis, and geometric design, late 16th century
Unknown Japanese

G225

flat, wide, outward-flaring rim; protruding triangular band around thick neck; shallow grooved line drawn into edge of rim; two black spots on body, one on rim; tan patina; small flat foot — Wide-Mouthed Jar, 1st century BCE- 1st century CE
Unknown Japanese

G205

cup with three lobes; beige in color with underglaze design of diving birds in darker color; darker glaze around lip; incised line below lobes where cup rounds out to bottom — Ash container with three birds, late 16th century
Unknown Japanese

G225

large diamond and triangle pattern in yellow, blue, white, pink, and red — Meisen kimono, first half 20th century
Unknown Japanese

G239

floral imagery on light blue background with birds, including two birds facing away from each other on a diagonal branch (LL to UR), various other birds and ducks, purple and white wisteria, an orange spotted waterlily, pink and white morning glories, branches of dark gray leaves, and various other flora; neck of vase has dark brown, metallic gold, and black patterned background with traditional Japanese imagery throughout (dragons, butterflies, roosters, flowers) and geometric borders; base has repeating geometric border in alternating reds and gray blues; metal rims on top and bottom; interior coated with light blue enamel — Presentation vase decorated with birds and flowers, one of a pair, 1890s
Unknown Japanese

G239

floral imagery on light blue background with birds throughout, including two birds facing away from each other on a diagonal branch (UL to LR), various other birds and ducks, bamboo branches, pink and white peonies, cherry blossoms, branches of dark gray leaves and various other flora; neck of vase has dark brown, metallic gold, and black patterned background with traditional Japanese imagery throughout (dragons, butterflies, roosters, flowers) and geometric borders; base has repeating geometric border in alternating reds and gray blues; metal rims on top and bottom; interior coated with light blue enamel — Presentation vase decorated with birds and flowers, one of a pair, 1890s
Unknown Japanese

G239

drum core in shape of two adjoined chalices; black lacquer with gold flecked grape vines, leaves, and squirrels — Large hand-drum core with grapevines and squirrels, late 16th century
Unknown Japanese

Not on View

lacquered writing box with heavily decorated cover and sides; zigzag down center divides pine tree with plum blossoms against a black background, from motif of chrysanthemums and leaves against reddish background; motifs continue on sides; ink stone and two empty boxes inside — Writing box with pines, plum, chrysanthemums, and paulownia, 16th century
Unknown Japanese

Not on View

cylindrical container with lid; concentric inscribed orbital lines around cylinder; scalloped bottom edge with elegant feet; three-tiered cover with concentric inscribed rings; spire at top with four disks and budlike finial on top — Cylindrical Sutra Container, first half 12th century
Unknown Japanese

G220

unembellished cup with lid and saucer; small finial on top of lid — Container for rubbing incense, 14th century
Unknown Japanese

G220

incense burner in the shape of an antique Chinese bronze basin with three legs, tall slotted handles and lid; lions in relief over a tao-tieh design on front and back and larger lion with ball on the top on a cloud design of the lid; perhaps originally coated with black lacquer — Incense burner with Chinese lions, 16th century
Unknown Japanese

G220

bronze ritual bell with handle in the shape of a five-pronged vajra, handle stem and bell shoulder decorated with lotus petal design; probably intended for use in Esoteric Buddhist rites — Ritual bell with handle in the shape of the vajra, 18th century
Unknown Japanese

G220

unsigned; image of two black lacquer kimono stands with different types of gold patterning, hung with various patterned kimono; koto (zither) in LRQ; tubular case with pink flowered brocade, pink tassels and gold bells hanging from right top corner of kimono stand at right — Whose Sleeves?, early 17th century
Unknown Japanese

Not on View

standing winged figure with bird face with beak holding sword and mini pagoda hanging from string with loop at other end; figure stands on fox with back legs upturned that attaches to base; some pigment remains on figure and fox — Akiba Gongen, Manifestation of Mount Akiba, early 17th century
Unknown Japanese

G220

man seated with crossed knee, hands on knee, looking at waterfall on R; wearing green kimono with blue and white accents; halo around his head; deer in foreground looking up at man — Binzuru (Piṇḍola Bhāradvāja), the First of the Sixteen Arhats, 13th - early 14th century
Unknown Japanese

G220

seated figure with crossed legs wearing red drape and holding fly whisk; halo around head; figure on R holds candle; palm trees in UR — Kiba (Jīvaka), the Ninth of the Sixteen Arhats, 13th - early 14th century
Unknown Japanese

G220

standing figure holding staff in PR hand and sphere in outstretched PL hand; standing on tiered carved base with lotus leaves around top; gold leaf on garment and base with some remaining areas of blue and green pigment on garment; figure removes from base with keys on bottom of feet; staff also removes — Jizō, the Bodhisattva of the Earth Matrix, second half 13th century
Unknown Japanese

G220

warrior deity standing in a forward-facing position; PR arm extended with hand in loose fist, apparently once holding an object; PL arm is held out with palm up in divine pose; armor with lion head on armor plate over stomach; standing on demons (base) — Bishamonten, the Guardian of the North, 11th century
Unknown Japanese

G220

Iga storage jar; with narrow base, wide shoulder, short neck and rolled lip; mostly dark brown in color with some light orange tinting; thick, dark over glaze with drip trails and pooling on upper body; two shallow incised lines around shoulder — Storage Jar, late 16th-early 17th century
Unknown Japanese

G222

one of two sake containers in the shape of a large drum with attached supports shaped like drum-stands; painted chrysanthemums on one side; another flowering plant on opposite side, with blossom on curving thin stem, and two smaller flowers on R and L; base of spout shaped like chrysanthemum — Sake Cask in the Shape of a Drum, early 17th century
Unknown Japanese

G219

long sleeved robe with padded hem; printed design with bold flowers and pink ground; bright multicolors--primarily red and orange; cloud-like forms at top and chest are black with grid of gold dots; pair of grey, green, white, and gold birds with very long tailfeathers, with accents in gold embroidery, on stomach; crane above pair of birds; birds on back of sleeves and PR shoulder, with gold details; large crane with gold details on PR lower back; black at ends of sleeves and hem; lined in red — Nagasode kimono, from a five-piece wedding kimono set, 1934
Unknown Japanese

G219

long-sleeved robe with thickly padded red hem; tuquoise with horizontal gold metallic uneven bands and squares; multicolored embroidered flowers and foliage; embroidered birds in various location throughout; red and white bird printed lining with gold forms — Uchikake (outer robe), from a five-piece wedding kimono set, 1934
Unknown Japanese

G219

red and white tie dye with wavelike clouds and flying birds; robe with long sleeves with solid red lining — So-shibori juban (undergarment), from a five-piece wedding kimono set, 1934
Unknown Japanese

G219

predominately gold and green sash, with florform background designs and bright multicolored floral medalions, including medalions with cranes, phoenixes, and butterflies — Obi (sash), from a five-piece wedding kimono set, 1934
Unknown Japanese

G219

cream-colored garment with padded hem — Juban, from a five-piece wedding kimono set, 1934
Unknown Japanese

G219

studded helmet with short visor at front and four-tiered, wide spreading laced neck guard; curving face protectors with decorated buckskin, studs, and crests; heraldic metal disc with Sanskrit characters for the Buddhist deity Fudo; pair or thin, bladelike metal kuwagatas at front center with heart cutouts; neck guard held together with green ties; ochre colored knots around borders; has wooden stand — Helmet with ornament bearing seed syllable for Fudō Myōō, 17th century
Unknown Japanese

G219

One of two jars Japan’s first ceramic culture, the Jōmon, produced strongly tactile pottery over 3,500 years ago. This lavishly decorated bowl was probably used during religious ceremonies. Its flamboyant rim, a typical feature of the middle period of Jōmon pottery, is known as the “fire-flame” type, because the coils of clay resemble leaping flames. The word jōmon, after which the historical period is named, means “cord markings” and derives from the distinctive patterns produced by rolling a rope-wrapped stick across the surface of the clay. The lower portion of this vessel bears these markings, together with whimsical designs carved into the surface of the clay. — Deep Bowl with Four Projections, 2500-1500 BCE
Unknown Japanese

G205

Bronze bell (Dotaku); Dotaku- Bronze Bell with so-called 'crossing bands' (in Japanese Kesadasuki) decoration. Fine natural green patina; no repairs, in excellent condition. Excavated at Chiwa-Yama, Yashu-gun, Ohmi Province (now Shiga Prefecture) in the 14th year of Meiji, or 1881 A.D. This was on the 14 bells found, the largest of which is now in the Tokyo national Museum. with a box authentication of Professor Sueji Umehara. Modern wooden storage box has authentication by Professor Umchara. — Ritual Bell (Dōtaku), 1st century BCE-1st century CE
Unknown Japanese

G205

Gesso, color, kirikane on wood, metal — Jizō, the Bodhisattva of the Earth Matrix, early 13th century
Unknown Japanese

Not on View

Sake pot, gold lacquer, with hinged semi-circular handle, and three short circular, tapering legs. Silver finial on cover. Decoration consists of gold vines, peonies, and arms of Tokugawa family (three asarum leaves within a circle) on bronze ground. Silver lacquer inside. — Ewer (katakuchi), 17th century
Unknown Japanese

G221

Hanging scroll — Landscape, 18th century
Unknown Japanese

Not on View

Welcoming Descent of the Amida Buddha Triad, Unknown Japanese — Welcoming Descent of the Amida Buddha Triad, 13th century
Unknown Japanese

Not on View

Wheel of the Law, Buddhist (shingon sect.) gilded bronze — Chakra, 13th century
Unknown Japanese

G220

Amida, the Buddha of Infinite Light, Unknown Japanese — Amida, the Buddha of Infinite Light, 12th century
Unknown Japanese

G200

standing female figure with proper left arm bent, hand at side; flat mask like face, adorned by earrings and necklace; ridged dress extends to floor covering legs and feet — Haniwa of a Female Shrine Attendant, 6th century
Unknown Japanese

G205

one of two sake containers in the shape of a large drum with attached supports shaped like drum-stands; painted chrysanthemums and other flowering plants; base of spout shaped like chrysanthemum — Sake Cask in the Shape of a Drum, early 17th century
Unknown Japanese

G219

small, double pointed object with five prongs converging to form each point; center decorated with petal and concentric circle motif — Five-pronged vajra, late 14th century
Unknown Japanese

G220

squat, fluted container decorated with small gold cherry trees with large blossoms and fronds of foliage; open-weave metal cover; tiny golden flecks in background — Lobed incense burner with metal cover, 17th century
Unknown Japanese

G225

unsigned; white deer wearing bells and an ornate saddle with a wisteria vine growing from it; golden circle within wisteria with three figures sitting cross-legged, and sitting with hands folded in front of chest, clasping small tablets, four of the figures are in white, and center figure is in red; mountains at top with colorful mounds, water below, and golden moon near top — Deer Mandala of the Kasuga Shrine, first half 15th century
Unknown Japanese

Not on View

irregularly shaped tan jar with bulbous, wasp-nest shaped base, long neck, wide mouth; flecked, dripping brown overglaze, mostly on one side; comes with rattan ring — Recumbent vessel with long neck, 7th century
Unknown Japanese

G205

Parinirvana of Sakyamuni, the Historical Buddha, Unknown Japanese — Parinirvana of Sakyamuni, the Historical Buddha, 14th century
Unknown Japanese

Not on View

red-brown jar with mottled ochre colored glaze around shoulder and down one side; four bow-like decorations around shoulder; short, vertical neck — Tea leaf storage jar, late 16th century
Unknown Japanese

G224

short, squat incense burner on three legs; three separate parts; domed cover with bud-shaped nib; floral stamped and etched patterns on lid — Incense burner, 13th century
Unknown Japanese

G220

Misshaku Kongo, standing figure with one arm raised, mouth open. Note Nio means Benevolent Kings. Made of Hinoki wood in yosegi technique of multiple block construction with traces of gesso and polychrome — Vajra Warrior (one of a pair), mid 14th century
Unknown Japanese

G205

Pouch in blue looped silk with design in greys and browns, silver dragon mounting; netsuke of ivory with inlaid silver dragon; netsuke attached by silver chain — Tobacco Pouch and Netsuke, c. 1880
Unknown Japanese

G239

leaf shaped dish; pale green with brown rim; inside of dish dark green starburst bottom center; curved dark green shape left of starburst; curved dark blue shape above starburst — Set of leaf-shaped food dishes (mukōzuke), 1660’s
Unknown Japanese

G225

leaf shaped dish; pale green with brown rim; inside of dish dark green starburst bottom center; curved dark green shape left of starburst; curved dark blue shape above starburst — Set of leaf-shaped food dishes (mukōzuke), 1660’s
Unknown Japanese

G225

leaf shaped dish; pale green with brown rim; inside of dish dark green starburst bottom center; curved dark green shape left of starburst; curved dark blue shape above starburst — Set of leaf-shaped food dishes (mukōzuke), 1660’s
Unknown Japanese

G225

leaf shaped dish; pale green with brown rim; inside of dish dark green starburst bottom center; curved dark green shape left of starburst; curved dark blue shape above starburst — Set of leaf-shaped food dishes (mukōzuke), 1660’s
Unknown Japanese

G225

one of four: dish with high walls and deep scalloped cutouts on each edge, creating dramatic, irregular square shape; textured, beige over glaze against dark brown underglaze; beige over glaze on bottom lightly brushed around bowl; subtle blue vine accents on underside at cutouts — Set of food dishes (mukōzuke), early 18th century
Unknown Japanese

G225

unsigned — Whose Sleeves? [right of a pair], early 17th century
Unknown Japanese

Not on View

leaf shaped dish; pale green with brown rim; inside of dish dark green starburst bottom center; curved dark green shape left of starburst; curved dark blue shape above starburst — Set of leaf-shaped food dishes (mukōzuke), 1660’s
Unknown Japanese

G225

design in gold of mist on a dark green ground — (Chōken with Pattern of Drifting Mist), 19th century
Unknown Japanese

G223

squared form, with high walls; small ring foot; milky translucent glaze; stylized depictions of bridges and water, in brown — Serving dish with bridge and water, 17th century
Unknown Japanese

G225

suit includes helmet with praying mantis maedate (forecrest), menpo (face mask), torso covering, pair of front shoulder medallions that attach to torso covering, pair of large upper arm guards, pair of small shoulder coverings (each with a pin for attachment), pair of gauntlets with arm and hand guards, apron, pair of tsutsu suneate (leg guards), and pair of kote (boot coverings); see Components for descriptions of each piece — Red-and-blue-laced Suit of Armor from the Kii Tokugawa Family, mid 17th century
Suit by Unknown Japanese; Artist: Helmet by Saotome Iechika

G219

Jar Takatori pottery; ovoid form with small foot, wide shoulders and short neck with expanding lip; covered with thick glaze of brownish violet splashed with running gray-blue. — Jar, 18th century
Unknown Japanese

Not on View

Sake Bottle fine brown paste, covered with gray to pinkish glaze and decorated with red and green vertical stripes and inscription. — Flask (tokkuri), 19th century
Unknown Japanese

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Tapestry coat, made up of small strips and squares of cloth sewed together. — (Tapestry Coat), 19th century
Unknown Japanese

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Bowl, on foot heavy gray glaze with character in purple on one side. — Bowl, 19th century
Unknown Japanese

Not on View

square of red brocade; design of pine branches and fan and lozenge shape motifs in gold — Brocade panel, 19th-20th century
Unknown Japanese

Not on View

Figure, of deity (Shou Lao) Forkeaukuyu, seated on flattened balloon. Bizen ware- God of Longevity. — Fukurokuju, 18th century
Unknown Japanese

Not on View

woman with long, pointed face like an animal with inverted v-shaped mouth, two small flaring nostrils and beady droopy eyes; black hair and red kimono — Seated animal-faced woman, 19th century
Unknown Japanese

Not on View

monkey seated on a rock, wearing a flat hat, looking over proper left shoulder and holding a large chestnut; hat and head are each carved in separate pieces from body — Monkey with hat holding a chestnut, 19th century
Unknown Japanese

Not on View

woman sitting behind a man; woman applies a burning stick to the man's back while he grimaces and pulls away — Netsuke [woman giving man a treatment], late 19th century
Unknown Japanese

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two peaches attached to a branch; post through center with silver ring on one side and floral nailhead on other side — Cluster of peaches, 19th century
Unknown Japanese

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cluster of six nuts — Netsuke [six ginko nuts], late 19th century
Unknown Japanese

Not on View

standing man with head slightly tilted to proper right holding a cloth(?) behind his head; blue and yellow striped sleeves — Dancer, 19th century
Unknown Japanese

Not on View

heavy-set, nearly bald standing man wearing a grey drapery covering his entire body except his head, chest and feet; large, wide nose, scowling mouth, earrings, dark beard and chest hair and hair on top of feet — Bodhidharma, 20th century
Unknown Japanese

Not on View

tapering stand; demon heads on bottom; birds in foliage with berries in relief at center; dragon in clouds at top below pointed finial; has storage box for five piece group — Candlestick, from a five-piece Buddhist altar set, 18th century
Unknown Japanese

Not on View

urn-like container decorated with dart designs on back and at neck; birds in foliage with berries at body, from a five-piece altar set — Flower vase, from a five-piece Buddhist altar set, 18th century
Unknown Japanese

Not on View

brown and white stripes — Noh costume (noshime), Date Unknown
Unknown Japanese

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design of floral crests and chrysanthemum and fence design on a salmon ground — Noh costume (nuihaku), 19th century
Unknown Japanese

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cream/ light tan bowl with high sides; ring foot; sides pierced in floral, organic and geometric designs; has storage box — Bowl with Reticulated Designs, 18th century
Unknown Japanese

Not on View

stemmed container on a wide foot; bulbous body; perforated domed cover with a seated animal finial; body of container decorated with birds in foliage with berries — Incense burner, from a five-piece Buddhist altar set, 18th century
Unknown Japanese

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purple decorated with roundels — Trousers (hakama), Date Unknown
Unknown Japanese

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(Screen with Flower on Gold), Unknown Japanese — (Screen with Flower on Gold), c. 1800
Unknown Japanese

Not on View

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